Commercial & video
Stills, and a full multi-camera crew
Product, interiors and team portraits for independent businesses — and, when the job needs moving pictures, a three-camera setup with vision mixing, sound and a live cut on the day.
A room turned into a studio — backdrop, screen, three cameras and a gallery
Fig. 03
What I shoot
On white or styled
E-commerce cutouts on white, or styled scenes with props and natural light. Consistent across a range.
Rooms as they are
Shops, salons, holiday lets and restaurants. Tripod, available light, minimal rearranging.
Headshots on site
A consistent set of headshots for the whole team in a couple of hours, done at your office.
Multi-camera
Interviews, podcasts and shows. Three cameras, radio mics, live vision mixing and isolated recordings of every angle.
How a shoot day runs
Cut live, so there’s less to edit
Everything runs through a switcher, so you get a finished cut at the end of the day as well as every camera recorded separately. If the edit needs changing later, nothing has been thrown away.
- Set upTwo hours before your first guest arrives
- On the dayThree cameras, live cut, plus isolated files per angle
- SoundRadio mics and a boom, recorded separately and synced
- DeliveryGraded and cut within two weeks, or the raw files the same day
The parts nobody sees
Two hours before the first take
Working together
Half day, full day, or a series
Send a brief and a deadline and I’ll come back with a fixed quote. Usage is included for web and social; print and paid media is quoted separately. Recurring shows are booked as a block.